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| James Joyce |
Since graduating college I’ve been slowly building in my mind the ultimate reading list. Everyone’s on it. DeLillo, Rushdie, Woolf, Dickens, and on and on. I know it will take forever to read these authors, but I know I’ll eventually get to them. I’m a lazy completist. When it comes to films and literature, I claim being a fan of many artists, but only a handful of them have I actually studied their entire collection of work. So this reading list I’ve been storing in my head is an attempt to cut out my pretentious critical review of many authors and actually do the required reading. But while I was in the midst of rereading my favorite novel, James Joyce’s A Portrait of the Artist as a Young Man, my reading habits changed completely.
Beginning Portrait was actually the beginning of the end for my agnosticism. My Mom urged me to buy Donald Miller’s book, A Million Miles in a Thousand Years. Actually, I think she gave me birthday money for it. Anyway, I bought the book and started it when I started Portrait. But most of my reading was done in the box office when it got slow. And you can’t read the prose of James Joyce in a Box Office when the phone keeps ringing and silly customers come and bother you for a ticket for a movie that’s in three hours. No sir, the attention required for Mr. Joyce is just too much at work. But not the prose of Donald Miller. I don’t mean to insult Mr. Miller, he chooses to write simply so that his message can be received for the better.
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| Donald Miller |
I traded out Joyce for Miller, and I finished the book within the week. The book is about Miller’s efforts to adapt his book Blue like Jazz into a film. The book makes the argument that the cinematic life we see in the movies is desirable because they are a culmination of our wishes and we ought to live the adventurous life that we crave on the screen. I was tracking the whole time with Miller, but still on the outside as an agnostic. I think in the postmodern world a problem we all have is understanding how our lives should be now that we are inundated with too much art. And it was the starting point for the understanding of my life’s purpose as a filmmaker and follower of God. So unenthusiastically but quietly intrigued I bought Blue Like Jazz on my lunch break, a gamble in its own right, my bank account was already embarrassingly small.
I had read Miller’s book, Blue like Jazz in high school, but it meant little to me then. This time around the book acted as the catalyst to my rediscovery of God. The book illuminated in me the religious life I had and showed me the spiritual life I could have. That man was supposed to write that book, and once I realized that, I understood that I was a man who has his own work to be done, and I knew that that task was from God, and deep in my heart I knew that God has great plans for me. There were many other factors that were a part of my rediscovery, but when it came to the intellectual understanding of God, Blue like Jazz got me thinking about God in a brand new way.
I felt guilty that I was ditching James Joyce for a Portland Christian writer (No offense Mr. Miller). And I really wanted to get back to Portrait. But there was a tug inside me to read Surprised by Joy by C.S. Lewis. The only thing I remembered about that book was that it was about the writer’s life as an atheist and how he came to faith. I’m not sure how Lewis’s book came up, but somehow I knew I had to read it next. So I forwent Joyce again and read Surprised by Joy. And again my bank account took a hit; Powell’s is making a fortune off of my coming to faith. Lewis’s claim that he’s no theologian is infuriating because of course everyone is. He may not be an Aquinas or an Augustine, but his thoughts in this book profoundly shaped my newfound faith in God.
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| C.S. Lewis |
Lewis’s one fault as a writer is overwriting. There are many stories in this book (and others) that can be completely cut out. They do not contribute to the whole message of the book. But I can’t complain too much, they’re interesting anecdotes. The most important passages in this book were about his coming to atheism and his coming to Christian faith. He lays out many philosophical and personal facets to these stages of life, of which I have no time to comment on. But I will say that his arguments prompted me to ask more questions about my time as a Christian in high school and my time as an agnostic. I realized that there were even more factors that affected and shaped these two identities, and I found that I had to undergo a similar introspection like Lewis.
No, I’m not going to write an autobiography. But I am going to work at exploring my life further, so I can understand myself emotionally, psychologically, mentally, and spiritually. If there’s any good thing a person ought to do, it’s examining the self. If you don’t know yourself, how can you know the other? Through the past few books, my coming of faith was greatly impacted by what I read. So I can’t shake the feeling that God has had a hand in what I read. That seems obvious since they are super popular Christian books, but all the while in my reading I still wanted to go back to Joyce. But, my choice in reading these books felt innately important, as if the Holy Spirit was choosing the books for me.
They say write what you know, and after encouragements from family members, I will explore my agnostic period through screenwriting. A character transforming from a blind follower of the herd to a dynamically spiritually liberated person makes for good drama. An autobiographical film you ask? Maybe not, but certainly there are elements from my life that would transfer well to the cinema. A writer must do his research, and I can advance myself both personally and professionally writing this screenplay. By doing the research and work that comes with writing the screenplay, I will attain a thorough understanding of myself that I would never previously understand. In the process I will write my first film that would explore how different environments imprison a character, and how that character can break free and be his own person—tried and true screenwriting elements that have worked. I know that I have to do some intellectually challenging research if I am to understand myself and write authoritatively on the problems that come with existing. So now my adventures in literature have brought me to the inevitable: The Russians.
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| Fyodor Dostoevsky |
I’ve never read Dostoevsky, but I hear he’s pretty good. He is the forerunner on existentialist literature and is preoccupied with ethics and religion, among many other things. I know his literature will not mirror my history in any profound way (or it may), but he will get me thinking about problems that have permeated my mind that have yet to be articulated. Or so I hope. He may just be a hack who is worthless to my own writing and reading. But there’s only one way to find out. Read, read, read.
Looking back, I find a spiritual through line to my recent reading. Out of practicality I start reading Donald Miller, which leads to rediscovering God, which then leads to more books that contribute to both my spiritual and professional wellbeing. I’ve abandoned my reading list of canon completion, and I’ve left it up to God to decide what’s next. Don’t worry; I’m finishing A Portrait of the Artist as a Young Man. But then it’s on to Notes from the Underground and the Brothers Karamazov. Audacious I know, but I think God has some big plans with these books that will affect me in ways I’ll never quite fathom.








